Helmed by Bristol sound co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one important plot development, but it leads to a comically executed rampage on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from November 17.
